Ebook Sculpting in Time: Reflections on the Cinema, by Andrei Tarkowskij
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Sculpting in Time: Reflections on the Cinema, by Andrei Tarkowskij
Ebook Sculpting in Time: Reflections on the Cinema, by Andrei Tarkowskij
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Pressestimmen
"If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique--for any artist in any art form."--Los Angeles Times Book Review"Learning the language of cinema in Tarkovsky's films and in this stunning memoir, we reacquaint ourselves with art's function: in the author's words, 'to turn and loosen the human soul.'"--Paste Magazine
Synopsis
Andrey Tarkovsky, the genius of modern Russian cinema - hailed by Ingmar Bergman as 'the most important director of our time' - died an exile in Paris in December 1986. In "Sculpting in Time", he has left his artistic testament, a remarkable revelation of both his life and work. Since "Ivan's Childhood" won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia.Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In "Sculpting in Time", Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films - "Ivan's Childhood", "Andrey Rublyov", "Solaris", "The Mirror", "Stalker", "Nostalgia" and "The Sacrifice".He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre - most fascinatingly in "The Mirror" and "Nostalgia". The closing chapter on "The Sacrifice", dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 256 Seiten
Verlag: Combined Academic Publ.; Auflage: Reprint (1. Juni 1989)
Sprache: Englisch
ISBN-10: 0292776241
ISBN-13: 978-0292776241
Größe und/oder Gewicht:
21,5 x 19,2 x 1,2 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
4 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 79.332 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
In his book the master of cinema talks not only about his work, but shares with the reader his philosophy in the first place. Time, Dreams, Poetry and other terms are greatly explaned in relation to themselvs and to their practical use in his films and in filmmaking in general.I could only strongly recommend the book to everyone who really want to understand the work of the greatest director and to move up on a higher level with their own films!
Der absolute Künstler. Ein Muss, wenn neben dem fortlaufenden Schauen der Filme noch Zeit bleibt. Zitateschatz.
The idea behind the title of the book is that the film-goer goes to the cinema to experience time, and that the director's job is to sculpt the time that the audience experiences-- cut away the inessential words and seconds and pieces. This book is an introduction to the rules that Tarkovsky set for himself in achieving this goal.The book covers his thoughts around a wide range of his films, beginning with "Ivan's Childhood" and finally ending with "The Sacrifice". On the way he covers his view of various aspects (both concrete and philisophical) of the cinema. Other chapter titles include "Cinema's destined role" and "The author in search of an audience".The book is beautifully written and the ideas are important and relevant. It's useful on the level of the student learning film techniques (he provides some wonderful examples of the difference in how major and minor directors handle the same character moments in different films. It's also useful as a book about the philosophy of art in general (and cinema, obviously, in specific).
This extraordinary book is not just about filmmaking, it's about all art...about life, faith, inner exploration and the Russian soul. It contains exquisite poetry, mostly written by his father, Arseniy Tarkovsky, and detailed descriptions of the making of several of his films as well as photos of them that are eerie, mystical, and incredibly beautiful. Tarkovsky is the master of making us see the wonder of creation in the most mundane subjects. He brings us one step closer in our journey towards the light. From page 43: "The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good".
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